JULY - AUGUST 2001

Poetry | Prose | Psychometry


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Contents: Prose

We The Little People
by Yechiel Mann

Unshaven by Quinn Tyler Jackson
Music Is Food For The Soul by Greg A. Grove
A New Look At Old Age - by Greg A. Grove

Testosterone, Oestrogen, Progesterone And The Battle Of The Sexes by S.L. MacNiven
Buying A Good Feeling by S.L. MacNiven
Elspeth Stood On The Edge - by Quinn Tyler Jackson





We The Little People -  by Yechiel Mann

We, the little people of the Middle-East just want some peace and quiet. 

We, the little people of the Middle-East are not interested in fighting futile wars, risking the lives of ourselves and our loved ones

All we, the little people of the Middle-East want is a life where we are free to build families, have children, raise them in a good world, support our families honestly, and with respect and dignity

We do not want to have to worry about our children being at risk. We do not want to be oppressed

We are fed up with being sent to slaughter each other by our power-hungry, blood-thirsty leaders, who couldn’t care less about our own lives, just their money and place in history

We are fed up with spending our hard work and  money on taxes that are so outrageous just because they buy weapons

We are fed up with being sent out to shoot people we don't even know. 

We are tired of burying our children, our babies, and our loved ones.

We are tired of being forcefully recruited to armies that teach us how to kill, tired of giving up our freedom and lives to these armies, and we are tired of leaving those we care about behind

We are tired of the army ripping us apart from each other, from everywhere we want to be, everyone we'd like to be with, and everything we’d like to do

Because if it were up to us, the little people of the Middle-East, there would be no armies, no futile killing, no one forcing us to give up our freedom and join an organisation of such discipline, which takes away every shred of individuality, an organisation of toughness, of suffering

We, the soldiers of the Middle-East are fed up with getting orders and being told what to do.

Instead of seeing young men and women worrying about weapons and death, we’d see them building a better world for their children

Instead of our mothers jumping at every news report, worrying for their children who's freedom was taken away, we would see them rejoicing in pride for what their children have done

Instead of the crying faces of the child who lost his father in war, we'd see the smiling faces of the children who have the chance to be spending some quality time with their fathers

Instead of writing letters to their sweethearts, of love, longing and dreams of better times, todays soldiers would be free to live those lives

We, the little people of the Middle-East are scared to death.

 Because all we, the little people of the Middle-East want, is some peace and quiet.

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Unshaven - by Quinn Tyler Jackson

When Aurelian entered the small bathroom, his intention had been to shave. He hated shaving, since it made his face feel as if it had been sand papered smooth, but he knew his chances of finding work would be better if he did not have two days’ growth on his chin. Even shaved, he knew that any work he might find would be labor, but his funds were nearly gone, and he had three more days to find a job or not eat, so labor did not seem as bad a prospect as it had in earlier weeks. The thought of an empty refrigerator had finally become more depressing than the thought of mucking toilets.

Although his intention had been to shave, when Aurelian looked in the mirror, and saw how the roughness of the hair on his face made him look older than his eighteen years, he changed his mind. Perhaps looking a few years older than he was would work in his favor. Nobody had wanted to hire an eighteen year old, after all, but twenty may be something he could sell. Instead of shaving, then, he rinsed his face, splashed on what was left of his eau de toilette, ran a wet hand through his hair, and returned to the kitchen of his shared house.

Near the kitchen window as he was, he could feel the outside cold as it hit the glass and slowly poured into the room. Was it the cold that made its way in, or the heat that escaped? Something of his schooling reminded him that heat escaped, but it felt as if the outside chill was making its way inside, and not the other way around. In any case, it did not really matter, other than to remind him that it was very cold outside. Walking the streets, looking for help wanted signs, would be cold. He would come back at the end of the day nearly frozen, just as he had been doing. Nothing would keep a cold like that away from him; it wouldn’t even leave him alone in his own house.

Soon, he was on the bus and headed to the center of the city. He had been up and down the streets before, and could hardly remember where he had been, to whom he had talked. In his first days of looking for work, it had been a systematic process, with addresses and names, but over the weeks it had turned into a desperate, random walk up and down streets in search of someone in need of a strong, young back. He got off the bus where he always did. Ten feet away was the kiosk of the old Basque jewelry seller.

"Aurelian!" Jacques cheered when he saw him. He waved for him to come over, and Aurelian obliged. Jacques poured some coffee from his thermos into a Styrofoam cup and offered the steaming cup to Aurelian.

"How has it been?" Aurelian asked.

"Pretty cold," Jacques replied, rubbing his hands together. He wore a pair of black knit gloves that had no fingertips. "Say, have you given what I said any thought?"

Aurelian sipped his coffee. He had gotten to like Jacques the Basque over the weeks. The idea of selling jewelry for him on commission had not at all appealed to him before, but even though Jacques was a street vendor, he still managed to eat.

"I still don’t know," Aurelian admitted. "I don’t have your magic tongue. I can’t sell. I’m not slick."

Jacques patted his belly. "This can make you slick."

"I want to try a few more places before I decide," Aurelian said.

At this, Jacques brushed his graying hair from his eyes. "You have a pretty face," Jacques said. "People trust a pretty face. It’s an honest living, selling jewelry."

Aurelian knew that what Jacques meant was that people were willing to trust a handsome face that the knock-off watches he kept out of sight from the police would not stop working after a few months of use. Jacques sold earrings, necklaces, and trinkets openly, but made his greatest profit from the fake designer watches.

"Let me try those places first," Aurelian finally insisted before finishing his coffee. "Thanks for the coffee."

With the coffee’s warmth in him, Aurelian made his way a few blocks down to a store he had not yet entered. Posters. He knew art. He was, after all, an artist. He could sell posters. Most of the posters in the front window were not art, but he may be able to find work here. He pushed the door open and hoped for the best.

He approached the Chinese lady at the cash register after brushing his hair back with his hand.

"Yes? May I help you?" the cashier asked.

"I was wondering if you need any help around here," Aurelian began.

The cashier looked Aurelian up and down quickly before replying, "We only hire Chinese."

"I know art and have a pretty good idea of ...," he tried to say.

"We only hire Chinese," the lady repeated.

Aurelian wanted to scream, but instead turned around and walked out of the store.

"Of all the stupid!" he growled. The air was so cold he could almost see his words leave his angry lips. Far down the street was Jacques, showing off his wares to passers-by. He returned to the kiosk, pretended to be interested in the jewelry for the benefit of the customers, and when they were gone, shrugged at Jacques.

"Can you believe?" he sputtered.

"What?" Jacques asked.

"They only hire Chinese," Aurelian said, pointing in the direction of the poster store.

At this, Jacques could not hold in his amusement. "You are not going to find work walking up and down the city streets looking like a lost dog, Aurelian," he finally said.

"Maybe I should take a bus to Montreal," Aurelian returned.

"Montreal? Last act of a desperate man. You know why I am here? Why any of us are here? Because it may seem cold here to you, but right now, over there, it’s damned cold. Worse than you’ve ever felt. That’s why I’m here." He poured some more coffee from his thermos and offered it to Aurelian.

Aurelian accepted his second cup of coffee. A young couple, probably tourists, approached the kiosk, and since he had the coffee in his hand, he could not pretend he was a prospective customer. Instead, he motioned to Jacques that he would take on the salesmanship for a bit.

"I think this necklace would suit your wife very nicely," Aurelian said, putting a silver necklace up to the neck of the woman. "It makes her beautiful eyes sparkle."

The woman smiled happily at the compliment she had been given, and Aurelian then went in for the sale.

"Look at that! She’s smiling! You don’t want to take that smile away from her, do you?" he said, tapping his back pocket as if there were a wallet in it.

The man, seeing that he could not back down gracefully, went for his wallet. "I suppose it’s quite beautiful," he mumbled in defeat.

"Beautiful? This trinket?" Aurelian said, remembering what he’d heard Jacques say before. "This necklace is nothing. It’s all in the one who is wearing it. She is beautiful. The necklace just sparkles on her." He glanced at Jacques, and then at the man who was fumbling with his wallet. "You see him? He goes home at nights, bent over a magnifying glass, twisting and turning this jewelry into something that is meant to be worn by beautiful people. You won’t find a necklace like it anywhere else, because he made it by hand, you understand? His philosophy is that no two are the same. Just like no lady is quite as beautiful as your wife here."

"How much?" the man asked, flipping through his bills.

"Well, this one is fifteen dollars, but I’ll let you in on something else," Aurelian said. He reached under the kiosk and produced a fake Rolex. "Yes, yes, you know it’s not real. I know it’s not real. The beautiful lady knows it’s not real. But it looks real, and it keeps good time. You’re visiting from England? I can tell from your accent that you’re from England."

"Yes," the man replied. The woman was now looking over the watch very carefully.

"She comes back from Canada wearing that necklace, you come back wearing this watch. Fifty dollars for both. The necklace is one of a kind—a steal at fifteen dollars."

"Does it keep good time?" the man said, looking at his own simple watch.

"Keep good time? Who cares? Of course it does, but with something like that on your arm, who cares? Does French cuisine really taste better? No. There’s a little bit of food on a big plate. Probably cold by the time you actually get to eat it. But you pay for what? To eat French cuisine. Right? With something like this, you pay for the name. You pay for what people think."

Aurelian could see that the lady was amused by his presentation.

The man produced fifty dollars, put the necklace on his companion, put the phony Rolex on his wrist, and walked off with a smile on his face.

"Who said you can’t sell?" Jacques blurted out once the couple was out of hearing range.

"Yes, but what did I just sell?" Aurelian returned, sipping his coffee. "Something that will turn her neck green and his wrist purple—if he manages to get it past customs on the way out of Canada."

"Yes, but think of it this way," Jacques replied. "He gets some loving tonight. They feel good about themselves. Every time he checks the time, he holds out his arm like a king, showing off his Rolex. All for the reasonable price of fifty bucks." Aurelian handed Jacques the money, and Jacques handed him back five dollars. This was the first money Aurelian had earned since as far back as he could remember. "They’re happy for a few days, you get five bucks. Not bad."

"It’s not me, Jacques," Aurelian contested.

"Not you? Aurelian, come on. Look how you did that sale. Not you? If this isn’t you, what is?"

"Jacques," Aurelian replied, "in a few months, you’ll be back in Montreal. The weather will be nicer, and you’ll be selling your wares over there. All these watches will stop working by about then, and you won’t be here when the ones who aren’t tourists come looking to flatten your nose. Me, I live here. This is my town."

"Ah well, keep an open mind," Jacques sighed. "They know what they’re getting for thirty-five dollars isn’t going to last. Nothing lasts."

Aurelian looked at the Jacques closely. His face was weathered. Years of selling on the streets had taken their fee from his face. Was that a face he wanted? Older than its years? Suddenly, he wished he had shaved. He drew his cold fingers across his chin and could hear the rasp of the stubble. Surely there must be some honest work in this city for a young man. Where was it then?

He sat in the small fold-away chair beside Jacques and waited for another couple to come by, and managed to sell them a pair of earrings. He sensed that they would not be interested in a watch. A few more came by without buying anything. By noon, he had made fifteen dollars more in commission. With his twenty dollars, he bought a phony Gucci watch from Jacques at cost and put it on.

"What do you want that watch for?" Jacques asked as Aurelian started to leave.

"When this watch stops working," Aurelian said as he walked away, "I will know you have returned to Montreal."

Jacques laughed and got back to the business of selling jewelry from his kiosk.

Once Aurelian was far enough down the main drag to be out of site, he sat down and checked the time. The watch, even though he knew it was a fake, felt nice on his wrist. It would look good for at least a week, before the shine started to wear off.

"Nice watch!" the young lady who had been sitting a few feet away on the bench said.

Aurelian turned to smile at her. She was a pretty, well dressed woman, probably a few years older than he was.

"Thank you," he said. "It’s a Gucci."

"Yes, I know," she replied. "If you don’t mind my saying so, it doesn’t fit your clothes."

She had a huge smile on her face when she said it, so Aurelian did not respond badly.

"Well," Aurelian mumbled. "I’ve been out of work for a while. Clothes come after being able to tell time. The watch was a gift. From my Uncle Jack."

"Your uncle has good taste," she replied. "Out of work? What do you do?"

Aurelian didn’t want to lie anymore and replied, "I was an artist."

"Was an artist? So young, and you’ve retired?" She inched herself a bit closer to him.

"Well, it’s a long story," Aurelian admitted. "Probably too long to bother you with."

Again, she moved a bit closer. "My name is Anais."

"Aurelian," he returned.

"I don’t mind listening to your long story," she finally said, after having stared in his eyes for some time.

Aurelian stood and pointed to the café ten feet in front of them. They went inside and he ordered two café au laits for them and he related to her how he had lost his job as a designer’s apprentice because he had refused to sleep with his boss.

"That’s a new one," Anais said. "Doesn’t it usually work the other way around?"

"Well, my boss was a woman," he explained. "A fashion designer. She made a move on me, and I decided to keep it professional. So she had me assigned to cleaning the screens. She knew I was allergic to the chemicals, and I was soon out of there. What do you do?"

"I work at the jewelers across the street," she replied. "We sell Gucci watches, among other things."

Aurelian wanted to stick his hand under the table when he heard this. If she looked closely enough, she would know that the watch was phony.

"Not phony ones like that," she finally said, relieving the tension. "The real ones."

"You could tell?"

"Oh, those are pretty good fakes until they start to wear down. I’ve seen you with Jacques," she explained. "Over the last few weeks, during my lunch break, I’ve seen you with the Basque down the street."

"Ah," Aurelian returned, sipping his drink.

"Jacques the Basque is infamous with us. A few of his customers have come in expecting us to get his watches working again," she said. "Not likely. You get what you pay for."

Aurelian looked at his watch. "I suppose so."

"You know, we need someone on the floor," Anais suggested. "If you need a job, why not come in and apply?"

"You think?" Aurelian returned.

"Selling the real thing," Anais added.

Aurelian had to ask. "If you knew the watch was a fake, why did you start talking to me outside?"

Anais blushed. "Well, I thought you had a pretty face," she finally admitted. "It takes a pretty face to sell even the real thing. Probably harder to sell the real thing than the phonies." She showed Aurelian her watch. "That’s the real thing."

Aurelian looked at her slender wrist more than the watch on it and wanted to touch her perfect skin, but restrained himself.

"So I should come in with my best clothes, and a resume?" he asked.

"And be sure to shave," she said. "The boss hates the shadow. I’ll lie and say I know you back from school or something, to help you get in."

"Why?" Aurelian asked. "Why would you do that?"

"You lied to impress me, didn’t you? Uncle Jack! Jacques the Basque!"

"But why would you want to impress me?" Aurelian asked. He put the money on the table for the coffees. "I’m just an out of work artist who almost became a street vendor."

Anais looked into Aurelian’s eyes with her cool, green stare and smiled without saying a word.

"Well?" he demanded. Too many weeks of getting nowhere and watching hustlers had made him cynical.

Anais reached out to touch his face with her soft fingers. She drew a circle on his rough cheek with her right index finger, making a raspy sound. Her touch made Aurelian feel as though he was going to pass out. Or was that the fact that he had only had three coffees in him all day, and no food?

"Because you have a pretty face," she replied before standing up. She walked out of the café, crossed the street to the jewelry store, and disappeared into the door.

After a few minutes, the waiter at the café came to the table and asked if there would be anything else. Aurelian removed his watch, handed it to the waiter, and said, "Here’s your tip," before leaving. Soon, he was again at Jacques’ kiosk.

"Where’s your watch?" Jacques called out to him.

At first, Aurelian didn’t know what to say. Finally, he blurted out, "I sold it to the highest bidder," and continued on to the bus stop before heading home.

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Music Is Food For The Soul - by Greg A. Grove

"Music discloses to man an unknown realm, a world in which he leaves behind him all definite feelings to surrender himself to an inexpressible longing." (Hoffmann, 1776-1822)

Music embraces such intangible goals as enjoyment, beauty and mystery, the expression of feeling, and self-revelation.  Thus agriculture and industry make it possible for us to live, whereas music helps us understand why we live.

"Music holds my life together," confesses Isaac Stern, internationally known violinist.  "It becomes a source of quiet when you need it."  To him music is the greatest single educational weapon that we have, whose study results in better reading, better math, and better memory.

Music is one language that can never die, for it is a celebration of life that brings equilibrium to us and to civilization.
 

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A New Look At Old Age - by Greg A. Grove

If you're the kind of person who doesn't care whether the rain in Spain stays mainly on the plain, or whether you could have danced all night, then this article is for you.  You have attained a degree of consciousness that undeniably surpasses the ratiocinations of politically-correct-whoevers regarding irritating-whatevers.

While browsing at a local book sale I came across a mimeographed booklet filled with quotations and witticisms on the touchy topic of age.  Here are a few of the better offerings.

Paderewski at 70 became President of Poland; Tennyson at 83 wrote "Crossing the Bar"; Cato at 80 began the study of Greek; Verdi at 85 composed "Stabat Mater" and "Te Deum"; and Vanderbilt between 70 and 83 increased his wealth by $100 million.

In the matter of prolonging human life, science has played no part whatsoever.  Take the case history of Bessie Singletree.  At the early age of 5, Bessie suddenly became 6 and remained 6 until she entered school.  On trolley cars her age remained 6 until she was 9.  When she was 11 years old, she was 12, and, for the benefit of movies and railroads, she was 12 until she was 15.  At 15 her age jumped to 16.  At 16 to 18; and at 18 to 20.  On her 27th birthday, Miss Singletree married.  At 35 she was 30; at 40 she was 39 and remained 39 until she was close to 50.  At 50, Bessie was 60, age 55; at 65, age 68.  on her 70th birthday everyone said that she was pretty chipper for an octogenarian.  At 75, she had her picture in the paper as the oldest woman in the county, aged 93.  Ten years later she passed away at the ripe old age of 109.

Age is a funny thing--cherished in a tree, cheese, furniture and wine—most anything but me.

The old man, when asked how he could take life so easy, explained that he was past tense.

Actress, looking at Rosalind Russell: "I dread to think of life at 45."

Rosalind:  "Why?  What happened then?"

Some men mellow with age; others get more like vinegar.

About the time a man can afford to take two hours for lunch, all he can eat is crackers and milk.

The surest way to insure a long life is to choose parents and grandparents who have lived long--a difficult proposition.
 

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Testosterone, Estrogen, Progesterone And The Battle Of The Sexes
by Sean Laurence MacNiven

 
Why is it that those attributes associated with the feminine are glorified, romanticized and preferred in our contemporary world to those of the poor old wandering male? What are those qualities and how much of our personal make-up is the product of our environment?  Questions upon questions, that do (happily or unhappily) have scientifically supported answers.

According to some of the latest research into hormones, it is generally accepted that between the 6th to 8th weeks of pregnancy, the embryo (which is at that time female in form) receives a dose of testosterone, to greater or lesser degrees. Embryos destined to become males usually receive a much larger dose than females (there being of course exceptions). Some males receive too little, and in extreme cases the chance of them turning gay at puberty is very high. The same (but more seldom) occurs in females that receive too much testosterone.

As boys and girls grow, they naturally tend to and enjoy those things that they are naturally good at. The first things girls recognize are faces, voices and the interactions between them. The first things boys recognize are shapes, forms and spaces. 

But what does all this have to do with testosterone, or a lack thereof? Testosterone has been strongly linked to spatial thinking. The ability to estimate and measure distances, to project and rotate 2D objects into 3D space, to calculate, analyze, categorize and synthesize are all qualities that owe a great deal to this humble little chemical substance. Studies have shown that women are able to reverse park a car with far greater ease after menstruation than before. The expulsion of female hormones leaves them hormonally more masculine, and lends them a higher degree of spatial thinking. After sex on the other hand, men are more relaxed and willing to strike compromises and converse, having at that point a higher level of estrogen than normal, and lending them some of womankind's excellence in the 'gentle' art of conversation and negotiation.

The sciences are however indeed primarily a product of testosterone-laden spatially-oriented individuals, venting their natural aggression in the search of truth and compartmentable knowledge. Women do not typically compartmentalize, due to the strong connection between both left and right hemispheres in women, they are flexible thinkers, viewing rather the whole, whereas men prefer to look at the parts.

Women are more gifted in the areas of language, and communication, the latter extending into all regions of communication. A woman can read the most complicated body signals of another individual within dazzlingly short periods of time, and almost always be accurate in their judgments (women's intuition some call it). Women are attuned to minute changes in tone, both of voice and of colour, are often born psychologists and sport a body language many times more complex than that of a man. Women are communicators, whose origins as such lie far back in the depths of history, when many women lived together in caves or huts, in close contact with one another and their children. They had to develop such skills as would enable them to live peaceably and profitably with one another.

Now these skills are all becoming increasingly important in today's society where many of our masculine attributes have gone the way of the Dodo e.g. Men are far better at imitating animals sounds than women, but it won't get us a raise!
 
For men, it was the hunt. It was developing strategies, estimating distances and forces and coordinating groups. Leadership, strength and a highly specialized brain made men the perfect hunters...warriors...philosophers...mathematicians...scientists and inventors. With a brain designed to solve problems, not to epmathize or get all emotional. Men, due to the compartmentalized nature of their brains really can seperate the head from the heart, which is why they often come across as insensitive, and are rarely able to tap into that reservoir of connected hemispheres that leads to intuitively-thought-out gut decisions.
 
We are also caught in a transitional period. Our Fathers/Grandfathers didn't have to face the problems that we do now. Men were men, and women were women, and each had clearly defined roles that had changed little in thousands of years. Now, the new-age-sensitive guy has emerged, and where most women still prefer a Clint Eastwood or Sean Connery for a romantic liason, when it comes to choosing a mate for life the softies get the vast majority of the votes. The majority of school teachers are women, Brad Pitts and Hugh Grants are our new masculine role models. It's no wonder that men have so many problems just trying to be men in this day and age. Our biology hasn't changed a bit, and the pressure of social turnaround that have happened in the space of decades have thrown us into a state of confusion and contradiction.

The testosterone laden heroes of old have been nailed to the past. A past that for many feminist activists should never be allowed to return, and yet return it will, whenever the need for action arises, whenever we are confronted with crises, war, catastrophes. 
Testosterone has a small role to play in peace time, but an immeasurable one in times of conflict, and if we follow the  old maxims of; "there's no peace without war" and "fight for freedom", then neither testosterone nor masculinity should ever be criticized or judged as greater or less than estrogen and femininity. 

We idolize women because they often seem magical to us; "How did she see that butter in the fridge", "She's got eyes in the back of her head and ears like a bat", "She can smell a rat from a mile away" etc. In reality though, it's a product of tens of thousands of years of practice and necessity. It's no less mysterious to us, we are still allowed to romanticize, but should not forget that while all that may be true, women still often point left and say right, turn around street maps to the direction they're facing, and after the tenth attempt at a reverse park, still get lost in shopping malls.  

Testosterone is no evil, though it does have a number of drawbacks today. The benefits are immense regardless, and without the competitive nature produced by it, we would still be living in caves - even if probably quite happily. But what a boring old life that would be, the subject of all our poems would be:

Oh happy, happy cave,
You really are so bright,
I'm living in such bliss,
I have no further need to write!
 
But let us maintain an ever shifting balance of the forces, for therein lies movement in whose space we live, and without which, nothing would be.      

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Buying a Good Feeling - by S.L. MacNiven

(A brief critique of selflessness)

   At first glance the human being appears to be an entity capable of the greatest acts of self-sacrifice and selflessness. From the ancient world to the modern, the political to the religious, man has time and again proven his ability to work in the service of others. Or has he? Look closer at the nature of selflessness and it becomes indistinguishable from the multifarious manifestations of selfishness. Empirically, every act of good will and apparently altruistic behaviour must be accompanied by the question “Have I myself benefited nothing from this act of benevolence?” and – if indeed viewed empirically – can only be accompanied by an answer to the contrary. It may be said that as from the moment the notion of self took root, nothing that has ever been done is anything but selfish to greater or lesser degrees. 

   Does the ascetic who deprives himself of worldly pleasures receive nothing in return for his efforts? Does the surgeon who takes the heavy responsibility of life and the saving of it into his hands not receive reward for his labours? Do members of organisations like UNICEF truly sacrifice or dedicate themselves purely to others in their attempts to bring joy to the suffering? Is the priest who seeks to lead others to salvation really not interested in bettering his own chances at a cosy corner in Paradise? Or the pious women that anointed themselves in the with the wounds of lepers, going so far as to ingest the mixture of bacteria and dead lymphocytes which inevitably lead to their contracting the disease. Did they subject themselves to an almost certain death in the name of selflessness? Certainly not. Many of them were sainted after their deaths, and in life they were honoured as emissaries of the Lord, whose place in heaven was most certainly reserved and waiting.

   Nature has equipped the majority of us with an almost relentless will to survive. In addition she has ensured that this will to survive embraces not only our individual selves, but also the furthering, nurturing and protection of our offspring as a long-term insurance policy. This often extends to those close to us (those that offer us either pleasure or protection), and may even extend to strangers (however rarely). Giving aid to a stranger is also firmly rooted in the soil of intrinsic selfishness, though not as obvious to the naked eye, and the act of giving a stranger a cigarette, or tossing a few coins into the rattling Styrofoam mug of a professional beggar brings with it the smug self satisfaction of having done an unknown a favour, and having perhaps made a difference to the cold-atomised capitalistic consumerism in which we live. In similar manner, World Vision appeals hardly as much to our charity and readiness to sacrifice, as it does to the alluring promise of being able to feel good about ourselves for a few pennies a day, a principle which might be termed as “buying a good feeling”. This is not to say that we should stop being charitable, indeed our (selfish) success as a species depends heavily upon our ability to work for ourselves through supporting the common good.

   Yet the idea of self-sacrifice, and selflessness is so alluring. Christians will probably feel compelled to answer this sceptic view of so “noble” an idea with the crucifixion. However, over two thousand years of faith and worship can hardly be regarded as a small return for a couple of days of suffering on a cross, which many others suffered as well and that without the consolation of the resurrection. That and the relative small span of human life compared to the promise of an eternity in Paradise detract somewhat from the impact of the biblical tragedy. But let this not be viewed as an attack on Christianity, or any other religious communication, but rather as an empirical view of an oft too romanticised and practically impossible ideal, of which many others exist such as freedom, equality and equal opportunity. All of these exist only imperfectly (to state the obvious) and in relation to the historical and social outcomes that constitute our present. But that is another story…    

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Elspeth Stood On The Edge - by Quinn Tyler Jackson

Elspeth stood at the edge, her toes over the side of the seawall as the water sprayed up to her uncovered knees, unable to hear her own thoughts over the crash of the sea. The cold pinched her toes, which were now wet even through her shoes, and her nostrils stung, but since her hands were in her overcoat pockets, they did not hurt. Tears had once stung her eyes, too, but they were gone now, and only spray and rain soaked her face.

Elspeth stood at the edge, waiting for the wind to change direction, so that it would be at her back, so that it would shove her off, and she would not have to gather the strength to jump. But the wind did not change direction, and continued to blow against her, almost pulling her hair in a straight line behind her head. One change in the wind would tell her that everything was for her decision, and nothing against it, but the wind did not agree with her as she stood, trying to convince it.

Her legs and feet had the strength and design to get her to the seawall, far enough along the walk that no midnight pedestrians along the wall would be within distance to come to her aid, to the very brim of the end of her life, but they did not have the determination to commit to the final step. She was certain, however, that the wind would turn against her back, and give her a final push.

"Stand there long enough," said someone far behind her, "and your legs will give out." It was a man's voice. Or was it her thoughts? Her legs shook from the cold.

"Go away!" she hollered.

"Go away?" replied the man's voice, more loudly than before. "Are you sure about that?"

"I want to be alone," Elspeth answered, still facing the ocean.

"We all want to be alone, once in a while," the man returned. His voice was now coming from much more close a spot behind her.

Elspeth stood at the edge, her knees knocking, drenched in ocean spray, unable to jump, unable to turn to see just who it was who had found her standing on the stone rim of the walkway.

"I know what you're going to say," she finally found the strength to say to the man she could not see.

A deep, loud laugh followed, echoing even in the rainy air. "You know what I am going to say? And how so?"

Since she could only hear his voice, and not his footsteps, she did not know how close he was to her, or if he would be able to grab her if she threw herself over.

"Because, I...."

"Because you assume I am the kind of person, like any normal person, coming upon such a scene as this, who would try to convince you that your young life would be a shame to waste?" the man interrupted her.

For a brief instant, Elspeth feared for her life. Who was this man behind her, whom she could not see? Was he going to try to rape her? Strangle her? Toss her torn body into the sea? It was then that she remembered why she was at this place to begin with.

"I'm not here to violate you," he said. "You have no worry about that."

Elspeth turned her head, to try to see the man, but when she turned enough, almost lost her balance, and instinctively stepped down from the edge towards the walkway.

"You see?" the man said, still in the shadows. "Did you notice which way you stepped when you were about to fall?"

"Who are you?" Elspeth called, pulling her overcoat tightly over herself, to keep out the cold. With her back to the sea, the wind was now at her back, and her hair blew over her eyes.

"It doesn't matter who I am," the man replied. Elspeth tried to determine where he was, from the direction of his voice, but she could see only shadows and darkness from where the man's voice seemed to be coming. "Don't try to figure out who I am, but, rather, who you are."

"Go away!" she hollered into the night.

It was then that he stepped closer to her, and a tall, shadowy outline could be made out against the backdrop of the rock, but still Elspeth could not see his face.

"I know who I am," Elspeth replied. "I know why I am here. So go away."

"Go away? So the wind will change direction and push you to your conclusion?" He stepped closer, and Elspeth could now make out the faint features of his coat, his pants, his black shoes, and the brim of his hat, but she still could not see his face.

"Yes," Elspeth replied, taking a step back, so that the heel of her shoe pressed against the six inch high stone that she had been standing on before.

"You know who you are? But you probably have no identification on you, and so, when your body is found, if ever, how will they know who you are? Surely, people are wondering where you are, but will they ever know what became of you?" Finally, he stood out of the shadow, and into the electric light of the lamp that illuminated a short stretch of the seawall.

"Do you make it a point to lurk around in the shadows, waiting for people to come here?" Elspeth asked, looking straight into his eyes, now that she could see them.

He squinted before replying. "Do you want me to answer that question?" His face looked entirely serious as he asked her this.

Elspeth stood with her back to the edge, unsure if she should run, hurl herself backwards into the water, or answer his query. "Yes," she finally replied. "Are you some kind of nut who sits there, in the dark, waiting for people to come here and jump?"

"Let me tell you something," he said as he took his hands from his pockets and wiped under one eye with what appeared to be a handkerchief. When he did this, Elspeth could see that he was wearing a ring on his left ring finger. "I have been standing here, waiting a very long time."

The crash of the water behind her kept her from moving any further backwards, and she knew she was alone with this man, far away from anyone who might be able to hear her if she screamed. Her legs continued to shake from the cold.

"I probably shouldn't even have said anything in the first place," the man finally broke the silence. "It's just ...."

"Just what?" Elspeth spat. "You get your jollies?"

"Young woman, don't be rude," the man returned almost immediately. "You see, well, it would be hard to explain."

"What is so hard to explain? We're friends, aren't we?" she said, not at all attempting to hide the sarcasm of her statement.

"I shouldn't have spoken out," he repeated himself.

"Why not? So you could watch me drown?"

"And then...."

"And then what?" Elspeth shouted. "Man, you are completely whacked."

"This is about you, not me," the man finally said, carefully placing his handkerchief back into his pocket. "What is your name?"

"Elspeth," she answered, not entirely sure why.

"Now you have a name," he said. He took off his hat, brushed back his short, black hair back with his hand, and said, "I am Connor. Connor Swift. Remember that name, will you? As a favor to me?"

Elspeth stood at the edge, wanting to say, "What a time to be polite," but saying nothing.

"I should not have spoken out," he said yet again.

"I don't get any of this at all," Elspeth admitted.

"This is life and death," Connor Swift made clear. "What is there to understand?"

"This," Elspeth mumbled, "is a bad dream."

Connor circled around towards the wall, as if he knew not to walk directly at her, until he, too, was standing at the edge, about ten feet further down the wall. "No, this is not a bad dream." He stood on the ledge, squatted, putting his hands into what must have been the freezing water, and then flung the handful of water towards Elspeth. "That water is damned cold, and this is not a dream. This is life or death."

Elspeth stood at the edge, one side now to the ocean, the other to the shadowy spot near the rock face where Connor had one stood. "What's all this about?" she asked.

Connor stretched out his arm to the water, as if pointing to a spot only feet from where Elspeth was standing. She turned towards the sea, straining to see what he was pointing at.

"That's you, Elspeth," he said.

Elspeth stood at the edge, unable to see entirely clearly, but seeing something that looked like an overcoat in the water, bubbled up from air, in amongst the churning of the sea.

"Trust me," he said. "That's you out there."

"But...," Elspeth sputtered, grabbing her own arm and feeling it. "That isn't me. I'm right here."

"You have enough life, enough strength," he said, slowly wandering along the top of the ledge towards her, "that you could wake up from it, out of the despair, and swim back to the wall, grab on, pull yourself over, and save yourself."

It was at this moment that Elspeth was most afraid. She could hear coughing, out from where Connor Swift had pointed.

"How?" she managed to say, still gripping her own arm and feeling it.

"How is not the question, or even why really," Connor replied. "I really should not have spoken out."

"What is this all about?" Elspeth demanded, still staring at the flapping overcoat out in the water.

"This is about life and death," Connor again said. He was now almost beside her. "Haven't you been listening?"

"Why do you keep insisting that you really should not have spoken out?"

"If you don't die out there, who will take my place here?" Connor asked, pointing towards the shadowy rock back wall.

Elspeth stared closely at Connor's face now, and felt she knew what he meant.

"If I hadn't spoken out," he said, "then you'd still be standing on the edge, waiting for the wind to turn. It would never turn, you know."

"Snap out of it! Fight, damn it!" Elspeth called to the figure out in the water. The figure slowly began to move about, to cough.

Connor Swift slowly returned to the spot where he had first been, his back to Elspeth. "Do you understand now? Do you realize? Why I shouldn't have spoken out, I mean?"

"Fight!" Elspeth called out again, as the figure slowly splashed towards the wall.

"I have been standing here for a very long time. It was almost time to find another place to go," he said, walking into the shadows completely. "But I can wait until the next one comes. This is really a lonely, desperate place. Someone else will come along, eventually, don't you think? To take my place. Please don't forget my name."

Elspeth clung to the edge, coughing up sea water, her body completely numb under the water as the waves pounded her against the slimy surface of the rocks, her arm hooked over the six inch rock ledge. Connor Swift stood in the shadows, only feet away, cold and waiting for the wind to change direction.

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Poetry | Prose | Psychometry

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